Perhaps the greatest irony of our modern era is that in a time when we appear more connected than ever, most of us have never felt more alone. Certainly this is true for May Attaway, the protagonist of Jessica Francis Kane's meditative second novel, Rules for Visiting.

Largely preferring the company of plants to people, May is a single, middle-aged woman who lives in her childhood home with her father and cat and works as a gardener at the local university. She is the first to admit that although her world is relatively small and uneventful, the life she has cultivated for herself is a comfortable one (albeit mundane and vaguely hermitic). When she is gifted with an unanticipated month of paid vacation, May is inspired to revise her stance on relationships and broaden her horizons. Armed with little more than an Emily Post guide to etiquette, a book of quotations on friendship and a suitcase named Grendel (after the friendless monster in Beowulf), May sets out on a transformative pilgrimage to reconnect with the four women she considers her dearest friends. 

A 21st-century novel for those with old-fashioned sensibilities, Rules for Visiting is an empathetic yet enigmatic read. May's story is not for the impatient, as the narrative perambulates through a series of discursive musings on friendship, flora, family, grief and how connections can fail or flourish in this modern age. For much of the novel, May keeps the reader at arm's length, charming with her wry wit but using these rhetoric sleights of hand as substitutes for real understanding and intimacy. But as May becomes more comfortable with the art of connecting with the people in her life, she reveals more of her true heart to the reader as well, gradually shedding light on the trauma that led to such a closed-off life. 

Rules for Visiting takes its time to fully take root, but the end result is a sturdy novel that blossoms rather beautifully.

In Kane's fourth novel (after The Report), 40-year-old university gardener May lives in the town where she grew up. She's more comfortable cultivating plants than relationships. May is a keen observer of people but engages only minimally with them. When she unexpectedly gets awarded extra leave at her job, she decides to travel to visit four friends who have significantly impacted her life at various stages. But her friends have moved away and are busy. May's hope is to reconnect with them and see what their lives are like besides what they present on social media. There, and back again, May might realize that her outward quest has been an inner journey all along. VERDICT Kane's delightful tale celebrates friendship, family, love, joy in the ordinary, finding peace, and connecting with those around us. Highly recommended for fans of humorous, touching stories about friendship and self-discovery. [See Prepub Alert, 11/26/18.]—Susan Moritz, Silver Spring, MD

In Kane's impeccably written and surprisingly moving second novel (after The Report), May Attaway is an endearingly principled university gardener approaching 40, who lives in her childhood home in Anneville with her father, a retired professor. She moved back to take care of her mother, who has since died, and has neither married nor had children. Though not unhappy, May's life is at an impasse. When a poem about a yew tree on campus wins a major prize, and a reporter points out May planted the original cutting, she is rewarded with 30 days of paid leave. This coincides with the death of a writer May never knew personally, but whose tribute site May is fond of reading after it went up following her death. So May, seeing how beloved the writer is, decides to use her month off to visit four old friends: Lindy, a happy mom of three and homemaker; Neera, living on the West Coast and navigating a disintegrating marriage; Vanessa, living a cosmopolitan life in New York; and Rose, also a gardener and living in her native England. On May's visits, she comes to realize the importance of empathy in cultivating relationships, not only with them but with the many people in her life, both past and present. May's journey is lovely and deeply affecting. (May)